Tim Fox doesn't really look like this, but he seems to like it better than his actual appearance. I can relate.

He hired me to play bass in his jazz quintet last year at the Hillside Club, and I just found out that there's a recording of my vocal turn posted on the 'net, through the courtesy of the man who put together the concert and engineered the audio, the spectacular Bruce Koball.

My song for Tim Fox

Here's the Hillside Club's writeup for the gig.

Dangerous Rhythm
In Concert
Friday, 19 January 2007 at 8:00 pm

The Berkeley Hillside Club is proud to present DANGEROUS RHYTHM in concert. This group of virtuoso players is a marvelous musical experiment performed to answer an intriguing "what if" question. Join us in the acoustically- wonderful Hillside Club for this evening of musical mischief.

What would swing have become had it not turned into bop? This is the musical premise behind guitarist Tim Fox's group, DANGEROUS RHYTHM. Playing mostly original compositions and the occasional not-so-moldy oldie, this group will get your toes tapping, your heart pumping, and your mind racing. Veteran bassist and vocalist Steven Strauss (Penelope Houston, the Hot Club of San Francisco, Old Puppy), vibraphonist and aspiring ukulelist, Gerry Grosz, accordionist extraordinary, Dan Cantrell (The Toids, Peoples Bizarre, Tom Waits), and percussionist Brian Rice (the Paul Winter Consort, Mike Marshall's Chôro Famoso, Wake the Dead, the pickPocket Ensemble) complete the group.
It's Twenty-First Century Swing, folks. Accept no substitutes.

Read my old post about Bruce Koball here.